“From the first day to the present, I am so appreciative to
have had my life enriched by having had the experience
the Violette de Mazia Trust, you and Fred Osborne
gave me. With deep appreciation.”
-Marlene Santoyo
“I am writing to personally thank you for your sponsorship
of the college course here at the State Correctional Institution at
Graterford. Along with your courtesy, Professor Perthes’ adept
handing of the subject matter, patience with our struggle in understanding
the method, and tolerance of the many delays and interruptions caused
by the institution have allowed me and the class to gain valuable
insight into the world of art and its appreciation. In this you have
succeeded in making art appreciation a part of our communal life.
My only wish is that I could have enjoyed the works of art discussed
first hand.”
-Student at Villanova Undergraduate Program/ SCI-Graterford
“I truly cannot begin to tell you just how much this course
has done for me, or what it has opened up for me. As an artist who
has never had any formal training in the field of art, I now look
at art in a much different way. I never thought that I would see as
much as I now see in the way art is put together. This course has
opened up for me a way to express myself with my art in ways that
will allow others, to see my art as a true artist would want (his
or her) work seen.”
-Charles H. Lawson
“I have a whole new outlook on art and how I look at everything
in general. I have a true appreciation for art. Now I have been given
even more tools to work with one of my passions. Needless to say,
this class left me hungry for more.”
-George Trudel
“I now am in possession of new skills of experiencing and critiquing
artwork that will transcend not only into my classroom and my studio
practice, but into the other areas of my life as well, making it richer.”
-Carol Taylor-Kearney
“The course has given me, among many gifts, a heightened awareness
of color-made light, line, volume and space and the impact it plays
in our world.”
-Elma Andrews
“I want you to know how very grateful I am for your generosity,
and for the opportunity you’ve given me to learn about art appreciation.
. . I feel I am always learning how to see, and how to really look
at the world for what is there!”
-Suzanne Au Buchon
“I am so grateful for the experience I have had this year.
As a teacher, my philosophy has always included being a life long
learner. My class with Marilyn [Bauman] really pushed me to a new
level as an artist, student, and teacher.”
-Angela M. Benjamin
“The de Mazia Trust seminars were an extraordinary experience.
The following aspects resonate:
1. The building of a close knit community
2. Encountering new intellectual philosophies
3. Fred Osborne’s tutelage.
4. The generosity of the de Mazia Trustees in creating
these seminars.
5. Extending this experience into our everyday lives.
Thank you!”
-Carla Bednar
“I have encountered few situations in recent years as genuinely
rewarding as the seminars offered by the Violette de Mazia Trust.
Here was a group of people brought together by common interest, sharing
their enthusiasm for fine art with one another and challenged by the
unconventional teachings of Albert Barnes. I truly believe that if
I am able to share my enthusiasm for the arts with others, to be challenged
by their interest, to share their thoughts and ideas, and to teach
them to see a work of art in a new way, then I shall be content, and
truly grateful.”
-Sarah J. Bonnice
“Being able to attend these classes was an exciting and valuable
opportunity. If feel that Dr. Barnes and Miss de Mazia’s ideas
are things I instinctively knew but am now able to articulate. I also
found this method very freeing as a creative person. Thank you for
continuing to offer these teachings. I’m very grateful to have
been a part of the class.”
-Beth Camagna
“I have found that (parts of) the philosophy and language gave
me a clearer way to explain the content and context of my work—Art,
not real estate.”
–E. Giordano
“I look forward to more opportunities to learn and share.”
-Deborah Greenwood
“The course has made me more attentive to the ‘art’ of
literature and the ‘art’ of nature in general. I shall
be forever grateful for the opportunity to study art that the Violette
de Mazia Foundation Trust
-Elizabeth M. Field
“What I learned certainly helps me as I plan programs at the
Main Line Art Center. The course changed my thinking about looking
at art and art history.”
-Judy Herman
“Personally the course was a most enriching and rewarding experience,
giving me the opportunity to spend quality time with a great collection
of art and to learn an expanded way of seeing and thinking aesthetically.
I find myself using some of the terms and visual applications when
teaching my sculpture classes, coaxing out new ways students can think
about and experience their work. My goal has always been to have students
learn how to see rather than just look. The de Mazia Trust course
has supported and expanded my personal interest toward this path.”
-James Lloyd
“Thank you for enriching my connection to the arts.”
-Judy Lupas
“It has made me much more aware of the way to appreciate art
which in turn helps me in working with the art teachers.”
-Jack Maguire
“I hope the de Mazia Trust will continue to offer the courses
to art educators. I have recommended the class to others who have
taken it and loved it.”
-Sheila M. Mahoney
“My life has been enriched by the opportunity to study as a
student of the Violette de Mazia Trust. Thank you.”
-Martha Marsey
“I use the techniques and information all the time when curating
and installing gallery exhibits, working with artists and writing
press releases and articles about our exhibits. I have much greater
confidence when writing about art because I know I can substantiate
my opinions and observations. The classes provided by the Violette
de Mazia Trust are an effective and unique way for people of all different
backgrounds to learn how to look at art and develop more of an understanding
and appreciation for all the arts. I think the method has universal
application.”
-Amy Masterman
“The method helped me see an art object yet again apart from
what I already knew about art and what influenced me from the outside
world. The course revealed to me a divergent view of analyzing items
of art without bands of convention. It lets the viewer accept a new
vision stripped of illusion of form, color and outline in order to
define it.”
-Margot M. Matkowski
“The amazing experience of study in such an enriched environment
enables that experience both in the studio and when I teach.”
-Sandra Milner
“The course not only provided me with the tools to understand
and appreciate art, but has also given me an appreciation of life
itself.”
-Student at Villanova Undergraduate Program/ SCI-Graterford
“Art and life are more integrated with my thoughts of the daily
nuance. I look at things more in relationship to other and self.”
-Kathryn Pannepacker
“Participating in courses offered by the Violette de Mazia Trust gave me new skills in formal analysis, and by incorporating
this approach I enrich and improve the lessons I teach at PMA.”
-Katharine Seed
“I have made use of the objective method when writing literary
analysis for my English Composition foundation courses and I am quite
certain that my instructors have not figured out just how I arrive
at the deeper meaning of the literary selections. In my volunteer
galley host work at the Michener Museum I have had opportunities to
share a lot of what I’ve learned with the visitors to the museum.” -Marie
Slovich
“By most people’s standards, I am a very well educated
person, having BA, MED, PhD and a diploma from PAFA. None of these
degrees gave me what I have received from the de Mazia Foundation. I can
now view art, appreciate it, and discuss it in a manner I never could
before. I am extremely grateful for the opportunity to share my knowledge
of the writings of Dr. Barnes, Dewey and de Mazia—whenever anyone
is interested.”
-Christine Stoughton
“The method is integral to my appreciation of art and my surroundings.
It has provided me with a gaze or means of judging my own work. I
have learned volumes from these courses and my life has been changed.”
-Allan Hunter
“Kudos is in order to The Trust for continuing to have the
teachings of Miss de Mazia and Dr. Barnes upheld.”
-Suzanne Hunter
“One of the most interesting aspects of this course is the
way that it sensitizes you—the techniques of looking and analyzing
inform your sensibilities in your daily experience. The reward of
this is heightened awareness. This is wonderful in a personal way,
but even more valuable for an artist and a teacher. I have found it
an invaluable experience. The method is an effectual tool for artists
and teachers and [for] deciphering artwork and experiences of all
kinds.”
-Carol Taylor-Kearney
“Excellence, whether in fine art or education, stands the test
of time. The 'Advanced Theoretical and Critical Studies' program
designed years ago by Violette de Mazia is still providing understanding
and appreciation for the fine arts, along with a solid foundation
and methodology for all learning… The components of the objective
method, taught by skilled and knowledgeable instructors have been
a valuable part of my return to education. With pride and appreciation
for the gift of learning to see a broader view of art and the world,
I continue to observe and marvel at the patterns that emerge in people,
stories, painting and song, linking us all in the aesthetic of a meaningful
and common humanity."
-Marie T. Slovich
“I [have] been in a stationary place for 20 years full of locked doors . . . . So it was quite unexpected. . . this door which gracefully opened [because of] the [art appreciation] course. [It felt like a] window . . . lighting . . . my mind!”
-Student at Villanova Undergraduate Program/ SCI-Graterford
|